Need art assingment of only three masterpieces inthe 19th, 20th century from realism to Post WWll? Final Exam Prompt  The Imaginary Exhibition In 3-5 double-spaced pages (1” margins, Times New Roman font), please address the following in formal writing:  Imagine you are organizing a community exhibition of art from the 19th and 20th centuries. Your goal is to sum up and clearly explain the period […]

In Chapters 19 and 20 of the textbook, the Baroque period is discussed in depth. Within that movement, there were varying implications to the art in regions of Italy, Spain, and Northern Europe. 1)Examine these three regions during the Baroque period. Using the questions art historians ask and the words that art historians use, what are some key similarities and differences between the three regions […]

Problem 17: Technical question: KLF Electronics is an American manufacturer of electronic equipment. The company has a single manufacturing facility in San Jose, California. KLF Electronics distributes its products through five regional warehouses located in Atlanta, Boston, Chicago, Dallas, and Los Angeles. In the current distribution system, the United States is partitioned into five major markets, each of which is served by a single regional […]

  DUE DATE:   Saturday June 17 @ 10:00PM   FORMAT:   -Organize this material into a 4 page formal research paper.   -It should be double-spaced with a 1” margin and type size 12 pts use Times New Roma.   -Art History, as a discipline, utilizes the MLA style   -Your own choice of citation style will be allowed. Please note: Wikipedia and other […]

Traditionally, when one thinks of art, he or she thinks of paintings and sculptures that are housed in a museum.  Today, almost anything can be seen as art—even graffiti. When you apply some of the principles of design and elements of art you learned about in Week 1, you can start to see how some of these nontraditional works can be seen as works of art. This week, you […]

       First, looking at the introduction section of your text before chapter 1, read about the commonalities of VISUAL ARTS: line, shape, mass, form, color, value, texture, composition, perspective. (Use the index to find the exact page numbers.) Try to get a sense of the fact that no matter what the painting or sculpture may look like, all true visual art forms share […]

Fill out the questions pls   What do Thomas Jefferson”s Virginia State Capitol (1789s) and Yamasaki’s, Northwestern Life Insurance Building (1955s) have in common?   What is the Pruitt Igoe myth?  who started it? What was the argument to demolish it?   What are the principal differences betw “Formalism” and “Brutalism”? How do their basic priorities (think Vitruvius) differ?    What were some of the basic reasons why orthodox modernism (European Modernism; Miesian Modernism; International Style–note, these terms often used interchangeably) was challenged?   How would you characterize orthodox modernism, what were its basic characteristics?   Kahn: in a class by himself. Why? Where does he fit, and where does he not fit into stylistic categorizing?   Why was the Richards Medical Research building seen as so radical?   How was the Salk Institute an improvement, if it was?    Where does the Fisher house fit in the development of American arch in the late 1950s, early ’60s, or does it? It was located in roughly the same neighborhood as Robert Venturi’s house for his mother, same years. How compare? What was Venturi doing that was different?   -Farnsworth vs Venturi house: an obvious comparison. Focusing on the essentials, how do they compare? What about Farnsworth house and the Gehry house? Venturi and Gehry hses?    Tougher one: Eisenman’s House III and Gehry’s own hse in Santa Monica. Think in terms not just of style here, but of basic attitudes about or priorities in architecture. How did their aims in designing a house compare? What about the Eames house in Pacific Palisades?    Where does the basic bungalow fit here? Levitt’s houses?  The typical Levitt house vs Venturi house: there’s a good one! How do they both address history, or historical models from the past? How do their aims differ? their clients or audiences?   How would you describe Philip Johnson’s role in the history or development of American architecture?   Why did Graves’s Portland Building make such a splash? What would you say was important about it?   How does Deconstructivist architecture differ (basically, fundamentally) from Postmodernism?   How does it differ from orthodox modernism?   Tougher: how does Venturi’s work differ from Graves’s? What does it have in common? how differ?   Why does Gehry not fit comfortably into the “Deconstructivist” stylistic category? Why was he included in the Deconstructivst exhibition in the first place?   Graves’s Portland Building and Gehry’s house in Santa Monica: both designed/built about the same time. Two very different building types, to be sure, but they have certain things in common. What, for example? How does each address the question of history? What are several of the biggest differences betw Gehry’s whole approach to architecture and Michael Graves’s, would you say?   Lincoln Center in New York, early ’60s, was seen as the epitome of the modern cultural center, and thus greatly admired (by some) and much emulated. How did Charles Moore see it, and how did he respond to it in his design of the Piazza d’Italia a decade or so later?   Venturi and Gehry: both built houses for their mothers or family. They have much in common, lot of differences. Focusing on the most important (in the context of architectural history), what are some of the commonalities? the differences?    We talked on the last day of Cutler’s Bridge Hse on Bainbridge Island.  How does it compare to Mies’s Farnsworth Hse of decades earlier?   In each case, what were the architect’s principal aims?   Gehry used a lot of recycled materials (chainlink fences, old plywood, aluminum siding, etc.) in his 1978 house in Santa Monica. Yet in “Sketches of Frank Gehry,” the film we saw in class, he never mentioned a concern about ecological issues. How ‘green’ an architect is he, would you argue or contend?    Roth and Tabb&Deviren define “green architecture” differently. How do their definitions, or conceptions of green architecture differ?   hat do Charles Moore’s Piazza d’Italia and Disneyland have in common? In what fundamental ways do they differ?     

Refer to the assigned reading from the textbook and required videos as examples of how to interpret works of art. Select a work of art of your choice from any of theinteractive museums provided in Week One, the CourseMate Bonus images, or from your local art museum. Contemplate the work of art and add your interpretation of the art, based on the characteristics of the […]

  Throughout this semester, your point-of-view essays (POV’s) have prepared you to write your final paper. Beginning with the 3rd class, you’ve prepared single-page responses to various topics around the elegant complexity of urban ecology and our relationships with human settlements.  Similarly, your final paper will be created around a current topic or controversy, one that naturally embodies the three spheres of urban ecology. For your […]

 ARTS 1301 – Art Appreciation Museum Critical Review and Museum Worksheet Due: Please see your course calendar for the exact due date and time.  Assignment Format:  Your paper for this assignment (Part I) should be 1 ½ – 2 (1 ½ pages minimum) – I will take off for anything less than the minimum required Typed, double-spaced, 12-point font using Calibri or Times New Roman […]